Dance Competition Performance Tips

Planning is constantly key to a certain execution. You may have your moves down however is your over all introduction cleaned? What are the judges paying heed to past your move procedure? As a teacher in front of an audience Beauty and Professional Presentation for entertainers, I had an opportunity to visit with a well known national move tradition and rivalry. It was during those time of introduction I delighted in the chance to become more acquainted with rivalry judges, investigate their perceptions and ask “past procedure what makes an extraordinary execution and introduction”? Here is within scoop on what judges pay heed to and what causes you emerge like an expert.

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Whether you’ve just started on the circuit or you’re already the proud owner of several medals, dance competitions can be nerve-wracking. How can you make the most of the experience? Three former comp kids who’ve gone on to find major success in their careers shared their top tips.

  1. The minute you step out onto the stage you are on! Make sure you enter the spotlight poised, smiling and in good form. You should exit the same way.
  2. Watch facial expressions. Don’t make faces (look strained, lips puckered ect.) while performing. This can create a distraction. Make eye contact, smile and look passionate about your performance keeping your face relaxed.
  3. When performing unless it’s part of the number, avoid mouthing the words. This can create another distraction that takes away from your performance. The exception is when performing a musical number with a singing or speaking part.
  4. Don’t move music tempo faster than the song. Need a faster tempo? Find one.
  5. Watch undergarments. Be sure they match and do not show under costume.
  6. Wear costumes and accessories that are secure to avoid embarrassing wardrobe problems.
  7. Don’t over do the bling. Choose two rhinestone accessories. Example: earrings and a choker but skip the bracelet and hair clip.
  8. Keep hair off your face unless it’s part of the choreography.
  9. If you make a mistake keep going. Don’t let a fall or any other mess up stop the show.
  10. Keep energy strong from beginning to the very end

Quarry Dance Adds Another Performance

This just in from Ina Hahn & Lisa Hahn, Windhover Performing Arts Center in Rockport: Due to the rain we are adding a performance TODAY at 11AM and we will still have the 5:30 performance.  We hope to see everyone today!

This site-particular move will be performed at exclusive Valley Pit Quarry, situated at 7 Leverett Street in Lanesville (Gloucester) on Friday, July 26 and Saturday, July 27, 2013 at 5:30p.m. furthermore, is available to general society for nothing out of pocket. Commitments are welcome. Stopping is accessible at the Lanesville Congregational Church at 1120 Washington Street opposite Leverett Street on both days. Stopping is likewise accessible at the Lanesville Community Center at 8 Vulcan Street on Friday, July 26thonly. Road stopping is permitted on Emerald Street, and additionally on one side of Washington Street. The execution will last around 60 minutes.

Valley Pit Quarry has a one of a kind history since its previous proprietor, Sylvester Ahola, a Lanesville local, was a standout amongst the most capable and popular artists of the 1920’s and 30’s, playing lead trumpet with over twelve major groups and making more than 2,000 records. After retirement in 1940’s, he facilitated numerous cruising gatherings at the quarry as a method for praising these man-made marvels.

Today, right around 100 years after the fact, Dušan Týnek goes up against the test by making another move that will think about this extraordinary place and produce another and crisp account. The move will move normally through the earth utilizing point of view and the one of a kind engineering made by the rock edges, overhangs, splits, bluffs and porches. Furthermore, the artists will likewise be in contact with the water, utilizing its sounds as an extra measurement to the move. The whole quarry and its environment will turn into a phase.

The Dušan Týnek Dance Theater is a dynamic, contemporary move organization situated in Brooklyn, NY. As of late named one of the main 5 New York City move organizations of the year by the New York Times, they have visited all through the U.S, Europe and Russia and have as of late finished a progression of effective exhibitions at Baruch College in New York City. In September, they are planned to perform at the Brooklyn Academy of Music in festivity of the organization’s tenth commemoration. ” Terrific… striking… an abnormal state of innovation… Mr. Týnek is an undoubted ability.” NYTimes

Seats will be accommodated the group of onlookers, yet individuals are welcome to bring their own particular seats as well, and individuals are urged to bring their own particular water or potentially soda pops.

Windhover is thankful to Harvard Pilgrim Health Care Foundation for their help and the subsidizing which has made this occasion conceivable. We likewise wish to thank the Rockport and Gloucester Cultural Councils and The Donor Advised Fund of the Boston Foundation for their imperative commitments, and additionally our numerous companions and supporters. We couldn’t have accomplished this without every one of you.

Raas Royalty Presents Annual Dance Competition

The Raas Royalty Roundtable understudy association will introduce its ninth yearly Raas Royalty Dance Competition 7 p.m. Saturday in the IU Auditorium. Eight gatherings from schools around the nation will contend.

The contending bunches play out the customary move style known as garba raas, which began from the Gujarat area of India. Entertainers of the high-force move utilize sticks called Dandiya. Groups perform traps and move to a combination of old music and late classifications, similar to hip-jump and mood and blues. Each group has an alternate topic they consolidate into their moves, chief Pareel Shah said.

The Raas Royalty Roundtable is an understudy association on grounds. Understudies in the association work all through the school year to design the opposition that happens in the spring semester of every year.

Moreover, the gathering gives back by volunteering in the Bloomington people group, Shah said. Eight groups were browsed a pool of candidates from around the nation. Candidates sent in a two-minute video for judges to figure out who might contend at the current year’s occasion. Graduated class of the association remain included by judging the contenders’ tapes.

The lineup this year is serious, said Gazal Kathuria, Raas Raoyalty advertising supervisor. Contenders have put first or second in comparative rivalries at different colleges.

“It’s to a great degree aggressive,” Kathuria said.

IU presents the opposition and is hence unfit to contend. Groups from Illinois, Missouri, Philadelphia, Texas and Florida are among the contenders. The opposition will have four display exhibitions from IU move groups who perform different sorts of move styles. HooSher Bhangra, Hip Hop ConnXion, HoosierRaas and IU Jhanak will all be in participation, with HoosierRaas opening the opposition.

The topic this year is the world over, which is reflected more so in the pre-demonstrate blender than the genuine rivalry, Kathuria said. Prior to the occasion, the groups will assemble for a blender and will be appointed a particular nation. Raas Royalty furnishes each group with goodie boxes themed with their picked nation and serves sustenance for the groups.

The themed blender gives diverse approaches to Raas Royalty to communicate with the groups, Shah said. While the groups are here, contacts will be doled out to gatherings to direct them around Bloomington. The association raises assets to help the groups’ stay on grounds and works with lodgings, merchants and transportation frameworks to suit the groups. The opposition is an uncommon ordeal for the gathering of people, Kathuria said. The groups will sit close to the gathering of people, and participants will progress toward becoming drenched with who they need to win.

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